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The accompanying music video, which was directed by French film-maker Stéphane Sednaoui, was put into heavy rotation on music-television stations such as MTV and added to the band's success. I always had fragments of songs and ideas or even specific isolated phrases in mind." When the group encountered difficulty in composing a bridge for the song, it developed a tool the members colloquially termed "face-offs".Since its release, "Give It Away" has gone on to receive numerous accolades, including a Grammy Award for the Best Hard Rock Performance With Vocals in 1992. Flea and Frusciante were unable to come to an agreement on guitar or bass progressions, but separately crafted part of the song.Every time you empty your vessel of that energy, fresh new energy comes flooding in." During the verses, Kiedis departs from the idea of unselfishness and sings about a variety of topics including long-time friend River Phoenix, musician Bob Marley and various sexual themes including fertility and lust."Give It Away" makes use of far drier production than previous Red Hot Chili Peppers material by removing reverb and guitar layering.Producer Rick Rubin disavowed walls of sound and layering for simpler, more concise guitar and bass progressions.Everything was the same, boring, homogenized, contrived shit." He and Flea met with Sednaoui to talk about the video, for which the director proposed a "very desolated [and] very graphic landscape," while heavily focusing on the band members with little to no outside influence.

This caused the record to contain simpler and dryer guitar and bass chords that were not filtered through guitar effects—those that did, however, were made with vintage electronics from the 1960s and 70s.And that was it." The song continues through several verses and choruses before reaching a bridge that introduces the outro, which consists of "a hard-rocking riff" that, according to Huey, strongly resembles the main riff from Black Sabbath's "Sweet Leaf" from their 1971 record Master of Reality.Kiedis repeats "Give it away now" for several measures before the guitar, bass and drums drop out.In 1992 the single charted inside the top 75 of the US Hot 100 in the wake of the huge success of the record's second single "Under the Bridge". The phrase had been something the vocalist intended to incorporate into a song for the band's new record, but it was not until he heard the bassline that the lyrics fit."Give It Away" also became the band's first top ten hit in the United Kingdom, where it peaked at number nine on the UK Singles Chart; this didn't occur until February 1994, nearly 2 and a half years after it was first released in the US. During their tenure in the group, the guitarist and bassist created the main riff and accompanying bassline for "Give It Away". Kiedis said, "I was so struck by Flea's bass part, which covered the whole length of the instrument's neck, that I jumped up and marched over to the mic, my notebook in tow.

This caused the record to contain simpler and dryer guitar and bass chords that were not filtered through guitar effects—those that did, however, were made with vintage electronics from the 1960s and 70s.

And that was it." The song continues through several verses and choruses before reaching a bridge that introduces the outro, which consists of "a hard-rocking riff" that, according to Huey, strongly resembles the main riff from Black Sabbath's "Sweet Leaf" from their 1971 record Master of Reality.

Kiedis repeats "Give it away now" for several measures before the guitar, bass and drums drop out.

In 1992 the single charted inside the top 75 of the US Hot 100 in the wake of the huge success of the record's second single "Under the Bridge". The phrase had been something the vocalist intended to incorporate into a song for the band's new record, but it was not until he heard the bassline that the lyrics fit.

"Give It Away" also became the band's first top ten hit in the United Kingdom, where it peaked at number nine on the UK Singles Chart; this didn't occur until February 1994, nearly 2 and a half years after it was first released in the US. During their tenure in the group, the guitarist and bassist created the main riff and accompanying bassline for "Give It Away". Kiedis said, "I was so struck by Flea's bass part, which covered the whole length of the instrument's neck, that I jumped up and marched over to the mic, my notebook in tow.

For "Give It Away", along with the rest of the album, Rubin sought to achieve a sense of atmosphere that was similar to 60s records that were made without commercialism or viability in mind and to downplay on "big" sounds: "What you hear is what you get—there's not a lot of trickery.